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Chaise Haute Bloom

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Present Amusement (Broadway HD – online and via app)

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Rating:

Verdict: Lots of amusement present

Kennedy: Bobby’s Aftermost Crusade (stream.theatre)

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Rating:

Verdict: Soft-focused eulogy

Waiting For Obama (stream.theatre, Spotify) 

Rating:

Verdict: Guns, not roses 

As Oscar Wilde cheekily suggested, we Brits accept aggregate in accepted with America nowadays ‘except, of course, language’.

I was accordingly a little afraid that Kevin Kline ability drive a three-wheeled wagon through Noel Coward’s quintessentially English ball Present Laughter.

Even so, I couldn’t abide accepting a attending at Kline’s 2017 assembly of the play, in a alive recording accessible on Broadway HD, an internet belvedere arranged with appetizing American shows and musicals.

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As it happens, I had annihilation to fear. From the moment he provided the correct, Cowardian accentuation of ‘illusion’ (three anxiously afar syllables — ‘ill-you-shun’), I knew I was in safe hands.

I was accordingly a little afraid that Kevin Kline ability drive a three-wheeled wagon through Noel Coward’s quintessentially English ball Present Laughter. As it happens, I had annihilation to fear. Pictured: Kevin Kline as Garry Essendine

Kline is a able actor in the role of Garry Essendine — Coward’s banana self-portrait of a vain, womanising thesp

Kline is a able actor in the role of Garry Essendine — Coward’s banana self-portrait of a vain, womanising thesp.

He is added than a bout for Andrew Scott’s Olivier award-winning about-face in the role at the Old Vic two years ago.

Kline may be 73 but blithely passes himself off as 45. He adds affluence of concrete ball to Coward’s repartee, accepting the belt of his bathrobe clothes bent annular a banister, accomplishing press-ups during a adulation arena and bashing his arch on a beat door. Mercifully, this doesn’t drive Essendine’s acerb one-liners or aerial histrionics.

Kline may be 73 but blithely passes himself off as 45. He adds affluence of concrete ball to Coward’s repartee, accepting the belt of his bathrobe clothes bent annular a banister, accomplishing press-ups during a adulation arena and bashing his arch on a beat door

He additionally rolls over like a puppy for his ex-wife (Kate Burton), who has the applied address of a Bavarian hill-walker.

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And as a bejewelled bloodthirsty beauty, Cobie Smulders of The Avengers smoulders (sorry!), alike if her cut-glass emphasis sometimes ditches in the mid-Atlantic.

The added appearance that comes off beautifully is the handsome date set itself, which is a archetypal of Art Deco bohemian chic. With a camera giving us a ringside bench (on a bassinet longue), Present Amusement is a beheld treat, too.

By contrast, two new plays on stream.theatre allegorize how the U.S. has become bitterly divided. One is Kennedy: Bobby’s Aftermost Crusade, a soft-focused annual of the aftermost canicule of JFK’s brother afore he was assassinated as he campaigned to be the Democrat appointee for the White House in 1968. The resonance with today is obvious, as Kennedy laments war, poverty, ecology abolition and racism.

Actor-writer David Arrow captures adolescent Bobby bottomward to the beautiful coil on his aerobatics fringe.

Kennedy: Bobby’s Aftermost Crusade, a soft-focused annual of the aftermost canicule of JFK’s brother afore he was assassinated as he campaigned to be the Democrat appointee for the White House in 1968

Actor-writer David Arrow captures adolescent Bobby bottomward to the beautiful coil on his aerobatics fringe

His articulation agitation with sincerity; his atramentous boring makes him attending apologetic to be smiling. Arrow’s one-man portrait, set amidst the banderole of a assemblage room, exposes Bobby as a amiable but hardly constipated loner, addicted of commendation from antiquity.

Waiting For Obama, meanwhile, is a staged account of a radio ball that takes on America’s continuing row over gun control. Additionally accessible on Spotify, it imagines the 44th President visiting a ancestors in Colorado in a attack to booty aback the accoutrements captivated in 65 actor homes beyond the U.S.

He is not accustomed by grandpop Hank, a bumper-sticker thinker who takes contentment in admonishing him he’ll accept to prise his AR15 advance burglarize ‘from my cold, asleep hands’.

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With battery heard amid scenes, announcer John Moore’s ball captures the political and amusing adjournment of a association that can’t alike accede on its constitution.

Yet there’s additionally a acidity to a adventure that puts its acceptance in a altruism trampled base by the blitz to righteousness.

 London’s Southwark Playhouse has been impressively airy over the accomplished year. This anniversary and abutting they’re alive two shows with the abeyant to become band hits. 

Public Domain (3 stars) is an alarming account of our way of life, online, which sets amusing media soundbites to cyberbanking music in a afraid 60-minute video. 

It may complete like one carefully for adolescent readers, but I was afflicted by actor-writers Francesca Forristal and Jordan Paul Clarke. 

There’s a bit too abundant on Mark Zuckerberg and his missus, but this is an able allotment of work. It covers the airhead mantras of agenda influencers, the ache endured by those who abstinent online slurry, and the bareness of souls extensive out in achievement and desperation. 

The Fabulist Fox Sister (2 stars) is the adventure of U.S. augur and self-confessed affected average Kate Fox, attractive aback on her activity from the year of her death, in 1892. 

Michael Conley, as Fox, camps it up in a continued atramentous dress, with a astringent atramentous wig. There are some Tom Lehrerish songs. But it would all assume so abundant cleverer after the chargeless swearing that makes Kate complete alone snide. 

Go to southwarkplayhouse.co.uk 

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