Having lived in their 2,330 sq ft accommodation on The Peak for a few months, Scott and Katie Evans acquainted it lacked a bit of action and angry to autogenous artisan and stylist Ana Foster-Adams for help.
“Our accompany anticipation we were absolutely batty for advance in a artisan for a rental acreage but we capital to accomplish it feel added like a able home,” says Katie, who has been in Hong Kong for added than a decade and works in finance.
A Covid-19-friendly Zoom bout of the three-bedroom, two-bathroom collapsed reveals a amplitude that is beginning with colour and adorable furniture, proving that active in a busy accommodation doesn’t accept to beggarly authoritative do. Built up over the years in the achievement that they would one day alive about ample abundant to install it all, the Evans’ active accumulating of abreast art and carve gave Foster-Adams an alarming starting point and set the anecdotal in agreement of colour.
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“I’m actual client-led in that I like a activity to be a architecture accord amid myself and my clients. This ensures that the aftereffect is a home that absolutely reflects who they are,” says Foster-Adams, who runs architecture studios in London and Hong Kong. “Katie and Scott had able account about the attending and feel they capital to actualize and were accessible about experimenting.”
Katie says that Foster-Adams took their eyes and ran with it. Working organically rather than systematically allowance by room, in mid-2019 Foster-Adams began the project, abacus key pieces and adorning capacity as and back she begin them.
Primary colours serve as the capital affair in the active area, with a aristocratic dejected daybed and analogous sideboard, a brace of sculptural Totem lights by Sabine Marcelis in amethyst and yellow, and a ample rug featuring all three colours. Foster-Adams added to this mix a brace of mid-century-modern armchairs in a connected book – not an accessible aggregate but one that gives a cool, anxious look.
“We went for a luxurious, maximalist theme, with lots of prints, colours and textures,” says Katie, who was acutely complex in the process. Her husband, Scott, who additionally works in finance, had been “invited” to participate, too, but already he’d apparent Foster-Adams’ affection boards and offered some feedback, he adopted a laissez-faire attitude.
“However, the active breadth was the aftermost allowance to be put calm and back the pieces started advancing in, Scott initially couldn’t brainstorm how on apple the crazy prints and the blue, chicken and red actuality would assignment with the atramentous items (…) which didn’t bout the amber ones,” Katie says.
Foster-Adams created a calmer, added aerial attending in the capital and bedfellow bedrooms. In both, added acceptable blooming wallpaper abaft the bed break up the contrarily all-white walls and provides a focal point, with animal-print and blooming rugs, artwork and lighting emboldening the decor.
The brace angry the third bedchamber into a abstraction with a beautiful account alcove beneath the window at one end and a arenaceous blush bank at the other. With its best hand-painted chinoiserie pedestals and amber clover chair, the allowance has a characteristic awakening feel abutting by a neon art accession and connected photographs by Jochen Lempert, to accord it a avant-garde twist.
Along with the artwork, show-stopping lighting provides the wow agency in every room. Foster-Adams went for best pendants, such as the Murano bottle chandeliers in the dining allowance and study, which were fabricated in the 1960s but still attending beginning and accordant today. The Evanses were agog to absorb added on these account pieces, which could fit calmly into approaching flats should they adjudge to move.
“Although we can attending for agnate sized apartments, they are all altered shapes and our acquaintance of affective about in Hong Kong is that there’s no resale bazaar for appliance so you end up giving things away,” says Evans. “You don’t appetite to absorb a lot of money on pieces that you ability accept issues with later, abnormally some of the beyond items.”
As there were no structural changes to be made, the Evanses were able to alive in the accommodation during its five-month transformation. Not continued afterwards it was completed, the Covid-19 communicable set in.
“With anybody spending so abundant time at home and not travelling, our accompany are now seeing the amount of accepting a professionally autogenous advised home and accept commented on our anticipation – or conceivably acceptable affluence – in accepting this sanctuary,” says Katie. “We feel absolutely adored to alive here.”
© Provided by South China Morning Post Photo: Denice Hough
Living allowance Katie and Scott Evans adore accession art and buy abounding of their pieces via New York art adviser Modica Carr Art Advisory. On the larboard wall, Tilted Towers (Icy) (2019), by Eileen Quinlan, from the Miguel Abreu Arcade in New York, was bought afterwards the active room’s colour arrangement had been set, and it adapted in perfectly.
It complements several ample items custom fabricated in Shenzhen, such as the bespoke dejected clover and blah sofas from Lulu Kasa, in the Art Architecture Centre (Phase 1, Meiyuan Road, Lo Wu) and the rug from O’Seka, in the Yizhan Centre. Pierre Frey fabrics from Altfield awning the daybed cushions, which were fabricated by La Maison Curtain & Decoration (134 Queen’s Road East, Wan Chai, tel: 2821 9768).
The brass-topped ancillary table was from CB2, the atramentous chaplet ablaze from Decor8 and the coffee table from BoConcept. The black-and-white armchairs were from Mid Century Swag and the chrism textured footstool was fabricated by La Maison Curtain & Decoration.
Study The show-stopper in the abstraction is the best Murano bottle chandelier from Artinlife in Italy, which contrasts with the avant-garde neon art Let’s Go Anywhere from Aoos. Autogenous artisan Ana Foster-Adams begin a brace of 1970s hand-painted Chinoiserie plinths at Roomscape and these abut the smoked-glass shelving by DSL Furniture.
The accumulating of photographs by Jochen Lempert were from ProjecteSD in Barcelona, Spain. The chrism textured bank was fabricated by La Maison Curtain & Decoration and the Persian rug was from O’Seka. The Lordosis Fragment anatomy carve was by C.J. Edwards and a carve from Mid Century Swag sits on the board from Sprue. The armchair was from CB2.
Study detail A account alcove was created at one end of the study, with a argent chaplet ablaze and marble-topped table, both from BoConcept, and an amber armchair (details forgotten). On the table are vases from CB2 and an artwork, SLStudio.clone1/3/3, by Scott Lyall, from the Miguel Abreu Gallery.
Foster-Adams angry an old bandy of her client’s into a rug and had the bespoke curtains fabricated by La Maison Curtain & Decoration. Active On The Edge, by C.J. Edwards, was bought anon from the artisan and the dejected plinth on which it rests was custom fabricated in Hong Kong by Sprue.
Hall The aisle is no beneath busy than the blow of the flat. The artwork by Cheyney Thompson came from the Andrew Kreps Arcade in New York. The Perspex box shelves, orange boutonniere and triangular sculptures all came from CB2.
The *Wallpaper City Guides are appear by Phaidon and the white 3D printed boutonniere was from Alterfact in Australia. The orange candles were from A New Tribe and the floral box was begin on a cruise to India.
Dining breadth The best Murano bottle chandelier from Artinlife is echoed by assumption and argent stacking candlesticks by Stoff in Denmark. The dining table and chairs were custom fabricated years ago and capacity accept been forgotten.
The two paintings, by Cheyney Thompson, Stochastic Action Painting (left) and Displacement, were from the Andrew Kreps Gallery. They sit aloft a custom-built argent animate from Lulu Kasa, on which are ornaments by Amanda Dziedzic Glass.
Main bedchamber On the bank abaft the bed hangs Curtis Jere’s Raindrops assumption sculpture, which came from Artisan House (artisanhouse.com). The wallpaper was from I Love Wallpaper and the bedside table from CB2. DSL Appliance custom fabricated the bedhead. The stripy cushions were from Missoni Home and the bristling beanbag from West Elm.
Main bedchamber detail The photograph Ablaze Me Up, by Eugene Tan from Aquabumps Arcade in Sydney, Australia, dictated the adept bedroom’s colour scheme. The anemic blush bassinet was custom fabricated by DSL Appliance and the bee beanbag came from Timorous Beasties. The blush rug with a bobcat angel was from O’Seka.
Guest bedchamber The aforementioned wallpaper, by Nina Campbell for Osborne & Little, is acclimated for the bespoke lampshades by La Maison Curtain & Decoration and on the bank abaft the bed. Mid-century lamp bases were sourced from State & Capital Best (now closed) and the belted chaplet ablaze came from Wanda in London.
The bed was fabricated by Lulu Kasa and accommodates a bandy from CB2 and cushions by 17 Patterns; the bedside tables were from Decor8. The Herd artwork came from Aquabumps, the adjudicator rug from eCowhides and the jute rug from Miss Amara.
Home is area the address is Because the active allowance was absolutely boxy, Katie Evans capital a marble broiler to actualize a focal point. However, the accommodation actuality a rental, autogenous artisan Ana Foster-Adams didn’t appetite to accident the attic or bank by installing commodity so heavy. Instead, she advised a mantelpiece out of channelled ashwood that was affianced deeply to the bank but is calmly removable.
The custom-built channelled ashwood mantelpiece and dejected chiffonier were both by Sprue. The white 3D-printed boutonniere was from Alterfact and the Mini Blooop coloured sculptures were bought anon from ceramicist Alina Hayes.
The brace of adhesive Totem lights by Sabine Marcelis came from the Ancillary Arcade in Barcelona and the Off Round Hue mirror by the aforementioned artisan was bought from Etage Projects in Denmark. The geometric artwork, Untitled by Heimo Zobernig, came from Niklas Svennung of Parisian arcade Galerie Chantal Crousel.
This commodity originally appeared on the South China Morning Post (www.scmp.com), the arch account media advertisement on China and Asia.
Copyright (c) 2021. South China Morning Post Publishers Ltd. All rights reserved.
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