A Goh Ballet production. At the Centre in Vancouver for Performing Arts on Thursday, December 17. No actual performances
With its countdown achievement of The Nutcracker, Goh Ballet has accustomed Vancouver a gift. Not alone does the awe-inspiring accomplishment let us assuredly accept a anniversary assembly we can alarm our own—for years we’ve brought in touring companies to arise the Christmas classic—but it additionally assault abroad so abounding versions of the chestnut.
Anna-Marie Holmes couldn’t accept been a bigger best for choreographer. The ballet affairs administrator of Massachusetts’s Jacob’s Pillow Ball maintains all the essentials of the feature work, which tells the adventure of a little babe who dreams of a winter wonderland with dancing snowflakes. Holmes’s booty is hardly routine, however. She not alone keeps the pacing abrupt and the movement engrossing, she additionally proves she brand to accept fun.
There’s the dancing buck with a barbaric sauté, a high-kicking grandma, a bashed maid, and a wee applique baby that loses one of its accoutrements to a rat.
For the role of Drosselmeyer, Holmes chose not a ballerina but a able magician. Damien Carriere has a abiding attendance throughout the two-hour show, authoritative dancers abandon and reappear out of nowhere. She assassin bounded annoyance queen Symone—aka Christopher Hunte—for the larger-than-life role of Mí¨re Gigogne. Hunte got anybody in the sold-out theatre acclamation to bemused effect.
But clashing so abounding Nutcrackers, this endlessly absorbing black never comes beyond as cheesy. There’s as abundant actuality as there is silliness.
Viewers get advised to a flit by aggressive amphitheater dancers Don and Marian Adair, all bouncing grace, she with her arch agee aloof so. In the animal Arabian duet, adroit gymnasts Katerena Goston and Orion Sky Radles amaze with their amazing physicality. She can bend her anatomy into affective positions, and he’s so categorical that his high anatomy makes Michael Phelps’s attending scrawny. Moving anytime so fluidly together, they’re as adult as they are serpentine.
Stanislav Galimkhanov wows in the Russian dance, blame and clearing mightily.
In the sparkling Ball of the Snowflakes, 18 Goh Ballet acceptance circle with absolute timing.
Then there’s the admirable pas de deux for the Sugar Plum Fairy and the Cavalier Prince, performed by National Ballet of Canada arch dancers Sonia Rodriguez and Piotr Stanczyk. Their address and ability angle out alike amidst 197 casting members.
There are endless added highlights, including the crazily beautiful dancing mice and the impossibly appealing Flit of the Flowers. In a ambit of candy-coloured hues, the costumes, advised by Dinghao Zhang and Ming Li, are alluringly detailed.
Elevating the appearance to alike greater heights is the solid alive achievement of Peter Ilich Tchaikovsky’s account by the Vancouver Metropolitan Orchestra and a pitch-perfect cardinal by the Tzu Chi Children’s Choir and Vancouver Children’s Choir.
If Clara alone dreams of Christmas abracadabra in the story, Vancouverites get the absolute affair with this ballet. Here’s acquisitive the Goh’s Nutcracker becomes a December tradition.
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